#Mountain Tribe

[irradiated-imp]

Been giving the 'Matoran Universe' side of things a lot of attention, so decided to give the non MU side of things some love. The Agori

The Natives of Spherus Magna, and later Bara Magna after the Shattering. They are a race of hardy organic beings with naturally metallic skeletons. they are exceptionally long lived, which is only further enhanced by the common use of cybernetic implants in the race.

They are divided into various Tribes across the world, each taking a name relevant to an element important to their society, or naming themselves after where they live.

Zesk A sub-race of Agori, and all that remains of the Sand Tribe. They were modified by the Great Beings into a more beastial form, and slowly over time devolved into little more than animals. Most Zesk however, are able to be acclimated into civilized society under the right circumstances.

Glatorian A species of beings closely related to the Agori, but larger and stronger. They often live in the Triebs alongside Agori. After the Shattering, Glatorian picked up the role of protectors of the Agori. They protected their younger relatives from the various threats of Bara Magna.

Eventually, as things settled and resources began to dwindle, wars broke out amongst the Agori, Glatorian, and the Skrall. Eventually, things settled with the creation of the Glatorian Arenas. Glatorian would fight in the arenas to earn resources for their Tribes.

Though Glatorian is traditionally the name of a race, it has since evolved into a title as well. Anyone who fights in a Glatorian Arena earns the title of Glatorian, regardless of what they are. Agori, Skrall, Matoran, Toa, etc.

Vorox Similar to the Zesk, the Vorox were Glatorian of the Sand Tribe, modified by the Great Beings. Like their smaller cousins, the Vorox devolved into aggressive desert wondering animals. They too can be acclimated into society, but doing so is much more difficult due to their enhanced strength and durability.

Skrall Another close relative of the Agori and Glatorian, though distinct, the Skrall are a race of strong and durable people. They live alongside Agori in the Stone Tribe.

Skrall culture is rather violent, more so than Agori and Glatorian culture. In recent years however, after the Reformation things have begun to mellow out however. Even before then, many individual Skrall have incorporated themselves into other tribes.

Kaadrix is one such Skrall. He was exiled from the Stone Tribe before the Reformation. He wandered alone for a long time, before finding a tribe called the Mountain Tribe. He was able to incorporate himself into the tribe.

Koza is a Skrall warrior that has heavily modified himself through cybernetics. He is much stronger than most other Skrall. He's infamous for his brutality in the Arena, having torn another Glatorian by the name of Telrakk apart.

Gelra a Glatorian of the Water Tribe. She's a strong, burly warrior with an ego to her. She's well known for her outstanding strength, surprisingly able to match Koza in hand to hand combat on numerous occassions, and typically choosing to fight other Glatorian who are using vehicles or mounts.

Telrakk was an up and coming Glatorian for a branch of the Jungle Tribe. He suffered a particularly nasty loss at the hands of Koza, leaving him severely injured. Eventually, much of body was replaced by mechanics as a result. Over time his off shoot of the Jungle Tribe would run into hardship with Bone Hunters, and during a rematch with Koza, his Tribe's home was razed by the bandits. His return to his destroyed home lead him to become

Talrakk the Conqueror an infamous warlord who uses engineered robots as his army. He intends to conquer as much of the Spherus Magna as he can to forcefully protect it from outside threats with his mechanical troops.

[serpentface]

An interaction between Kulyos, the legendary founding hero of the collective Hill Tribes, and the wildfolk witch Bernike, as depicted in folklore.

The collective Hill Tribes all descended from a single population (informally called Kulyites) who migrated south across the Viper seaway from what is now Finnerich, prior to their written history. Here, they found themselves in a new landscape and in both conflict and cooperation with its preexisting inhabitants (a broad collection of tribes, many of which would eventually coalesce into the Wardi and Wogan peoples).

The detail of why this ancestral group fled their homeland depends on the specific tradition. In some cases, it’s a cultural non-issue- they’re here now, have been for hundreds of years, and will be here for hundreds more. In other cases, they describe a local war, a famine, barbarian invaders from the northwest (likely Dain-speakers, possibly a distant leg of the first Burri empire, maybe both), or a combination of all three. All sources agree that cattle and horses were brought on ships with the migrants, though they differ on whether they already had a khait riding tradition or if this (or khait themselves) were adopted from the native population.

The Kulyites were small in number and had neither the power to gain territory by force or negotiation, thus having to settle in some of the few uninhabited territories, the rocky highlands of the northwest. These were difficult lands, far from ideal for farming and grazing, and much of the founding mythology surrounds the first Kulyites learning the ways of this new land and how to thrive where no one had before.

It is said that this original group was led by a young chieftain named Kulyos (this name comes directly from the word 'kulys', the thick mountain plant with yellow flowers seen here, which is important in the regional diet for its fruits and use in tea, and as a symbol of hardiness). He is credited with leading his people to their current lands, establishing many of their core traditions and ways of life, and settling conflicts with the local mountain spirits, thus allowing for his descendants to live there to this day.

Kulyos is very likely to be a based on a real person (possibly the actual chieftain of the original Kulyites, but more likely one of their sons or grandsons), but the details of his life are lost, his history interwoven with myth and allegory. He is usually characterized as well humored and supremely wily, a good leader and beloved by his people, overcoming most challenges with cunning and cooperation rather than brute force. He is wise in the ways of the mountain gods and spirits, and often escapes trouble by means of proper respect to the gods and calculated (if risky) dealings with spirits. He is a mostly venerable figure, but often cast as comically flawed (notably, being lecherous and prone to lying).

One of the most popular and widespread legends is his theft of the wildfolk witch Bernike’s deer and magic cloak.

---

Bernike was the greatest sorcerer of all the Wildfolk, unmatched in power and likened to a god. Her secret was her feather cloak, obtained in a pact with the storm goddess Ariakh and made from the goddess' very own black feathers. Ariakh agreed to provide Bernike with great power in return for routine sacrifice of fine livestock which her sons, the winds, would tend among the clouds. (This likely references practices of some of the proto-Wardi, who may have venerated a form of Ariakh in similar ways). The other condition was that all of Bernike’s magic arts would be contained within the feather cloak, making her powerless without this artifact (this would prevent her from challenging the goddess herself- being made from her body, it could not be used against her).

Bernike ruled over the highest mountain, which had a small pass critical to travel in the area, and took glee in torment of the new human additions to the region. The best grazing in the highlands was upon Bernike's foothills, and this was where the Kulyites settled. In their herding and trading, they would often have to traverse her mountain pass, and she would stop them and demand tribute (usually in form of cattle).

The reason for Bernike's demands was her herd of a hundred scimitar deer, her greatest prizes. These deer were magical in nature- strong enough to be used as mounts and plow animals, faster and more surefooted than any other hooved animal, and their milk could cure disease and impart longevity in those who partook (Bernike herself was over 5,000 years old and as spry as ever). Now that new people with cattle, khait, and horses had entered her lands, Bernike had a new source of livestock for the goddess and no longer would have to offer up her own precious herd.

She would be greedy and merciless with the settlers, demanding exorbitant offerings and inflicting them with terrible curses when they refused. The people all learned to live in fear of her, but had no other option but to submit to her demands in order to pass through her mountain.

After a few years of this, Kulyos had grown quite tired of her demands on his people, and aimed to level the playing field. He had his wife, Brunil (herself a major character in this mythos), disguise herself and take a herd of cattle and ox-drawn cart through the pass. Bernike, of course, appeared and demanded tribute- the woman would only be allowed to pass if she gave the witch her choice of two of her finest cattle, and otherwise would be turned into a biting fly. Perhaps a sparrow, if she was lucky.

Brunil sorrowfully conceded, and begged that Bernike at least be quick about making her choice. Brunil said she was on her way to her sister's wedding, down in the village to the south of the pass. The cattle were to be a gift, and she also had a cask of the finest mead with her that needed to be delivered on time for the ceremonies.

Just as planned, Bernike immediately lost interest in the cattle and instead demanded the mead. Brunil put on a great show of hesitation and sorrow, but eventually relented and allowed the sorceress to take the entire cask. Brunil was allowed to travel onward (‘my sister will be so disappointed’), while Bernike eagerly set about drinking.

Kulyos had followed his wife from a distance and now watched and waited in a copse of trees. The witch drank enough mead to kill a man before she even began to get tipsy, and drank enough to kill two more before she fell into a deep, drunken slumber.

Kulyos then crept up upon her and took the cloak from her unconscious body, donning it over his shoulders. He then approached her deer, which did not flee, recognizing the scent of their master. He mounted on back of one of the bucks, and used it to drive the rest of the herd back down the mountains.

The next morning, Bernike awoke on the hillside, finding herself without her cloak, robbed of her deer, and with a nasty hangover.

She was outraged. This was not the first time she had dealt with Kulyos, and she recognized his scent in the air. She knew exactly who had robbed her. If she were in full power, she could have hunted Kulyos down and turned him into a flea, or made him impotent, or given him dysentery with a mere wave of the hand. Without her cloak, she was powerless, having no magic at all and no more physical capability than any other small (unusually spry, 5000 year old) woman.

She finally relented and contacted Ariakh herself, expecting the goddess to be furious at the theft. Ariakh was indeed furious, but not so much at Kulyos. The man had shown nothing but the proper respect to her, and she was unwilling to punish him for his deed. It was Bernike's failure, and would be up to Bernike herself to put things right. Still, as a favor to her most devoted follower, Ariakh agreed to give Bernike one of her magical arts back to help her along- the power of shapeshifting.

Back in the village, the deer were already showing their worth. Just two bucks had been put to the plow, and they had turned a field in three hours that would have taken an oxen three days. The animals were docile towards their new owner, even letting themselves be milked, and this was the most delicious milk any had ever tasted and could be fermented into the finest of murre.

Kulyos was quite pleased with his theft, but knew this would not be the end of things, and he kept the cloak on his person day and night. He took great care of it, and left out offerings of murre to Ariakh each night that he had it in his possession, to show his continued and utmost respect for the goddess he may have insulted as a byproduct of his theft. He went about his life, always watching and waiting for Bernike's inevitable return.

And so she came, though she was crafty and subtle, and did not make herself obvious. She first took the form of a bat and attempted to fly in through his window and take the cloak as he slept, only to find herself entangled. Those familiar with the legends would know that Kulyos had already bargained with the queen of the spiders to send some of her children into his village, who had cast their webs over the windows and happily ate all the bothersome flies and mosquitoes that had previously plagued his people. Humiliated and harassed by hungry spiders, Bernike fled.

The next day, she took the form of a viper, perfectly camouflaged and waiting in the grass to bite him as he tended to his herds. Kulyos indeed approached, but it was his little son who came near to Bernike. No matter, she thought. She would bite his son and seize the cloak when Kulyos tended to his child's wounds. Ariakh herself was offended at the aggression towards the child, innocent of Kulyos' crime and for whom he had prayed protection, and she sent a crested eagle (a snake eater) to swoop straight overhead.

Kulyos wisely realized a serpent must be in the area, and told his son to stay still. He used his spear to part the grasses in search of it, and at the sight of snake-Bernike, pulled back to stab her. In her panic, Bernike changed shape into a gazelle and fled, thus revealing herself and losing the element of surprise. Now, Kulyos knew for sure that she was after him, and knew she would come in the form of an animal.

Bernike was not stupid, she knew she had lost her advantage. So she waited a month for him to let his guard down, and took the form of a huge, beautiful aurochs bull, trotting and bellowing among Kulyos’ cows as if looking to mate. Surely he would be tempted by such a handsome and valuable animal, and she could take the cloak from him when he got close. And it seemed to have worked, for he excitedly approached with a lasso and slung it around her neck, speaking softly and soothingly as one would to such a wild prize. But instead of trying to lead her off, he tied the other end of the rope around a tree and walked away.

Bernike waited patiently for his return, no doubt in her mind that he was simply getting assistance in leading such a powerful animal away. Instead, Kulyos came back alone, leading his own prized bull (the giant white beast, Pyliod) along with him. As soon as Pyliod caught sight of what he perceived to be a rival bull, he became enraged, and charged at Bernike. She was chased around the tree ten times before she turned into a lion to face him down. The great bull was only more enraged at the sight of a predator, and chased her ten times more (and giving her a nasty jab in the hind, she is said to still bear the scars) before she gave up, turning into a sparrow to slip the rope and flying away. (The trunk of this tree still stands today, with the frayed remnants of an ancient rope around its base).

Now, Bernike waited another month, and took the form of a beautiful young woman, barely-dressed in riverfolk garb and tempting him from the edge of a creek. This attempt would have worked, but Brunil herself, quite annoyed, interceded by chasing the girl away with her staff and giving her husband a stern reprimanding. (“I knew it was her,” Kulyos insisted. "I had a plan.")

Finally, Bernike threw subtlety to the wind and took the form of a huge king hyena, the most powerful beast in the land, and came rampaging into the village. All the people feared this great animal, and even the most powerful warriors would hesitate to approach such a beast head-on. But Kulyos had known the witch would lose her temper at some point or another from the very beginning, and had tasked all the mothers and young children in the village with weaving a great net, so wide as to hold the largest beast, and so finely woven that not even a flea could escape.

Seeing the beast approach, he called to his his three daughters to fetch the net. He stood at the center of the village as bait, running and dodging from the beast while his daughters prepared the trap between two huts. His eldest, Aylian, whistled her signal, and Kulyos ran straight for the net, diving through the small space beneath. The witch in catform was far too big for such a maneuver and barreled right into the net, and Kulyos and his daughters wrapped it around her, trapping her in its clutches.

She fought the net with everything she had, turning into everything she knew how- a great bull, a lion, a tremendous riverdrake, a giant leviathan, a tiny songbird, a mosquito, and so on, but there was nothing she could do to break through. Finally, she turned back into her original shape, a tiny, bearded old woman, and demanded Kulyos approach.

He offered her a deal. If she would swear an oath in front of Ariakh herself of nonretribution and to end her demands of tribute from his people, he would return the cloak and all but two of her precious deer (a doe and stag), and his people would leave offerings of mead and murre at her pass every year on this day to grant them safe passage. Utterly defeated (and finding this offer quite appealing, in spite of her wounded pride), Bernike agreed, and called the great goddess forth.

Ariakh descended in the form of a dragon (a legendary beast with the head of a horned serpent and body of a bird), alighting on the roof of a hut. She plucked a single, massive feather from her breast and threw it to the ground, and Kulyos and Bernike both laid hands on it and swore their oaths. A vow before a goddess would have unspeakable consequences if broken, even for such a mighty sorcerer as Bernike.

Bernike donned her cloak and took her favorite form, that of a gigantic gray eagle. She took to the sky with a fearsome screech, circling the village three times, and then led all but two of her deer, a stag and a doe, back into the mountains.

And with this, the conflict was ended.

---

These deer are said to have become a great boon to the Kulyites. The herds they produced were eventually lost to the people and none of the Hill Tribes have herded deer ever since (that's another story), but their impact lives on. Being magical animals, they could breed not only with each other, but with khait, and produced the small, hardy khait stock still used as mounts and plow animals by the people to this day.

Bernike had only sworn nonretribution and an end to the tributes from Kulyos' people, but she did not swear to never harm them again, and as such all people who claim descent from the Kulyites avoid her mountaintop to this very day (with many more legends describing the consequence to those that do not), and are always sure to bring their yearly offerings of mead and murre to ensure continued safe usage of her pass.

Bernike also only swore to end tribute from his people, and other legends involve her stopping entire invading armies from navigating her pass with (often mischievous and utterly impossible) demands of tribute, and great consequences when these demands are not met.

Bernike is an ambiguous figure in the cultural schema, being feared and respected, an annoyance in her neutrality in (or active inflaming of) conflicts between the Hill Tribes, but credited as a protector of the collective peoples of the highlands. She is often cited as one of the reasons that neither the Burri empires nor the contemporary Wardi empire have ever seized the inner highlands, and no invader ever will.

[jollmaster]

when Indoril Nerevar met her

[eggfeather]

crest of snowy mountain

[fishyfishyfishtimes]

it's a hard trip to make even for folks here in the States but do yourself a favor and look up some pictures of/info about my birthplace: Lake Tahoe. it might be my favorite place I've ever been. absolutely fascinating environment and just stunningly gorgeous.

sneak preview ↓

What an absolutely beautiful lake.

So large that it curves from the curvature of the Earth! So large it's the second deepest lake in the US! A wonderful place to be greatly appreciated, for sure.

[bobauthorman]

How to Muck the Nuck

I wanna talk about how the final battle against the Nuckelavee went. This monster has been terrorizing Anima for a decade, maybe longer, and when it first shows up it is clearly a force to be reckoned with. But once Team RNJR (Mostly Ren) get their heads in order they take it down semi-easily. This might seem like a bit of an anticlimax, but consider this.

In Mountain Glenn, Dr. Oobleck states that older Grimm are more dangerous because they've developed the ability to recognize threats and pick up on patterns, using the line of elephantine Goliaths as an example. The Goliaths don't attack Vale because they that if they do, the Huntsmen defending the kingdom will wipe them out. They only attack when the surge of pent-up negativity is release, drawing in so many lesser Grimm to help overwhelm the kingdom's defenses.

Now, let's look at the Nuck's attack patterns (Spelling out the name every time is a pain, so I'm abbreviating it)

The first time the Nuck''s presence is felt, it's in the aftermath of Shion Village's destruction. Said destruction was also caused by the raid of the Branwen Tribe, so it's most likely the Nuck taking advantage of the bandits distracting the village's defenders to launch its own attack.

In Ren's flashback, the Nuck attacks his village, a place where hiring a Huntsman was seen as the final desperate move, not the first instinct. Ergo, it was a place that was outside the regular sphere of protection from the kingdoms.

In the present storyline, the Nuck attacks Team RNJR because, from a purely superficial view, they are no threat. Teenaged, runaway students, and Qrow is slowly dying from poison. So it attacks without fear.

But while Team RNJR may not have the strength advantage, they make up for it by fighting smarter. Ren's Semblance allows people to become invisible from a Grimm's negative-radar, giving them the opening to take it by surprise. And then they pin down the Nuck's arms, taking away its maneuverability. This allows Ren to finish the beast off.

So, yeah. I like it when characters win by acting clever.

[bubblepopsims]

Little bit - Lykke Li

(Definitely L. Singing this about Cesar at the very beginning)

@fl0ptrait

[lindalofbroome]

original sketches

DELTORA FASHION CONCEPT ART V2

hello i have finally coloured some rough sketches of some deltoran fashions, a redraw of some really old sketches from ages ago.

im a pretty amateur concept artists and i hate designing clothes so truly was a challenge for me hahah BUT it has given me plenty of time to think of headcanons. im not sure what i've already posted about or not so im just gonna go ahead and rant

these characters were originally just models for me to draw the clothes on, so i didn't need to draw a new person every time; although in some of my earliest sketches of different people groups i did a bunch of people. but naturally these characters have developed a little and some of them are my beloved adin-era OCs <3

[about 4,500 words]

⬜ JALIS

since the jalis are reknowned for their warrior prowess and their signature gold armour, i thought it'd be neat that even if when they're not wearing the full set, they are always wearing their arm guards. it's a sense of pride and identity, they probably receive them as a rite of passage into adulthood. not every jalis is a knight, but they value a heart of courage and great feats and they all have them, and would wear them always (or at least special occasions if one prefers not).

i headcanon that jasmine was gifted her own set of arm guards as an expression of their respect and admiration of her. her relationship with glock grew so much and was cut off, but she earned her "heart of a jalis" and we didnt get to see much of jasmine and gers together, but theres plenty of time post-DQ3. i think my jasmine and the jalis thoughts should be a separate post though, otherwise this post will never end 😂

i dont imagine that the jalis had special party clothes, i think they just turn up in their usual clothes and get drunk and dance their hearts out maybe start a brawl thats none of my business

i cant remember why i've been giving them this geometric sort of pattern tbh. i think i drew someone at some point and wanted it to look different to mcbride's design but im not sure if i like it or not. the plus is that i can make diamond motifs though!!

i also cant really remember how my brown skin gold hair came to be 🤔🤔 wait backtracking i think what happened is that i decided to draw del people as black latinx inspired, so it wasn't that big a step to make jalis also dark skinned since they're both in the south (deltora geography is weird tho so like it's not that deep) and then i think i made them blonde as i "why not??" situation but tHEN i thought maybe it's connected to their jalis gold?

my headcanon is that their armour is made of a unique metal that can only be found in diamond territory, it's super hard, tough, and light etc. so maybe whatever is In The Ground is also in them and their blood and shows in their hair????

🥳 fun fact 🥳 wasn't until i had to draw steven and glock side by side that i had realised what i'd done?? i.e. steven canonically has brown skin gold hair too¹. which now forces me to think about whether it should be a coincidence (like it is) or shall i headcanon that steven and nevets' father was jalis² 🤔 ¹ pretty sure it's about the dichotomy, to show contrast but connection between the brothers. i have many steven and nevets thoughts but that should also be another post ² i am.

🟩 DREAD GNOMES

these characters are adin-era, so unfortunately this would be when the gnomes still hunt the kin. whats weird is that i realised that i was picturing the caramelly brown fabric that this gnome is wearing was the kin pelt and not the big furry parts?? i usually picture the kin as more like velvetty. idk what the thicker fur parts would be though?? literally any other animal i guess 😅 i dont know it doesn't make sense and it's only occurring to me right now i shall have to think about it lmao

anyway made them green because why not. maybe they come in different colours idk. this gnome is pre-gellick so does go out in the sun, gellick-era gnomes would be waaaaay more paler they probably looked white. this could be similar to the jalis and like theres something in the grounddd

gla-thon claims that the dread gnomes knew that lesser gems had weaker but the same powers of the great talisman gems (sots), but im not sure if they knew it before adin. would be interesting if they did 🤔 and how they figured it out?? (side note but now im wondering about how withick knew what to write about the gems??) would imply that if they got the great emerald than they could deduce there are others surely. unless they thought it was a freak accident/miracle. anyway we know they love gems and gold etc etc so they obviously decorate themselves with heaps of jewellery

triangle motifs in homage to their mountain 💚

i gave them a sort of war paint ritual. i'm not sure if they all do the same markings, but this one was specifically to symbolise a bow and arrow (arrow going up the nose). you can see it a bit better here lol. i also decided that sometimes they wear it for purely cosmetic purposes. im not sure what the substance is exactly though. i think in my head i was imagining something similar to kohl, but maybe not.

🥳 fun fact 🥳 bre-tak and az-zure are lesbians (i make the rules)

🟦 MERE

oooooh baby this is my guy my babygirl my everything

okay so i think this headcanon developed recently when i last drew sky of rithmere and i thought that mere superstition encouraged them to wear their charms in random spots to avoid them cancelling each other out. it could be construed to be they were inspired by the night sky and the pattern of the stars perhaps. this led them to prefer asymmetrical fashions, mostly prominent in the armour i put badr in

🥳 fun fact 🥳 badr means "full moon" 👀

i think i originally decided the mere had leather armour just to give them something different iirc but the mere characters we see are usually the lithe, speedy, crafty type, so maybe light, mobile armour does work for them lol. anyway the main reason is that i had the image of studded leather, and i was like ohohoho STARS

i generally think of them with muted colours but sometimes they have a bold blue for their prized garmants. like zillah and co, the leaders of rithmere in adin's time were described with bright blue and starry cloaks. (i checked the wiki just to check zillah's name lol and apparently it's actually canon they have leather armour?? so not sure why i thought otherwise) anyway i do currently have minecraft brain but i did vaguely remember that people made ultramarine pigment from grinding lapis lazuli into a powder and im not sure if thats something the mere would do or if there's some strong blue dyes they can get from plants or something native to their territory 🤔

actually im liking that idea now? it would be incredibly time-consuming and labour-intensive but that would add to its value?? real world lapis lazuli has a horrible yield rate of 1kg lapis to 30g of pigment apparently, but it's a strong pigment (unless i misunderstand). alternative name for ultramarine is "permanent blue" apparently so. anyway ultramarine irl is more of a paint pigment, but in roddaverse maybe the mere make a lucky blue dye to use on cloaks and scarfs and shawls etc for good fortune?? me frantically checking that i put badr and luisa's wedding garb in bold blue lmAO oh i did but it's a little muted. they mix in oils and stuff to make the paint, so it doesnt seem like a stretch that they can mix different ingredients or ratio to make a cloth dye (to my very amateur understanding).

so im imagining now that they have a special (probably secret within the mere) process to create bright blue thread speckled with white (also gold to me. im pro deltora lapis with gold) and weave it into their beautiful starry night fabric. the amount of labour and the use of their prized lapis lazuli makes it very special, and maybe some people think it's the lapis that makes the fabric lucky or maybe some people think it's the work of love and time that makes it lucky, maybe both.

🥳 fun fact 🥳 i forgot that "bless your lucky stars" is like a real saying until recently lol

a starry cloak is probably something only the really rich could afford, but i think that they are more like heirlooms and states of office? im not sure if these pieces are things that one would purchase or something they would receive. bit hard to imagine people doing it for free but maybe it's one of those staple things that they revere and everyone else works to support them as well etc like the cooks in noradz are prized. idk. but yeah like a poorer family couldn't get a new one, but they would have one that has been in their family for generations you know? and i think that there would be something about like. idk youre meeting up with your doctor or something and youre nervous and you put on your family's best clothes (the most lucky ones) and maybe youre cynical about the whole good fortune stuff but there's something comforting about wearing the cloak your mother wore and your grandmother and your great grandmother wore, who also had to do such things. something something gives you the confidence to make your own luck because youre no longer pessimistic and allowing avoidable mistakes to happen

this means that the mere giving adin a cloak was a REALLY big deal because they definitely dont just go throwing those around and they would probably only give it to an outsider in trade for a steeeeeeeeeeeep price. which of course means that there would be knock offs with bad quality dye. lmao thats perfect actually. like 10000% there would be merchants in rithmere trying to sell cheaper versions to people that are expensive but still affordable to the average person. some would be different shades of blue, but the more crafty might have dyes that are strong but not lasting.

oh also i headcanon that palace fashion was a conglomerate of aspects from all the tribes but this should be it's own post i think. but i just remembered that i put gold thread in badr's braids in the formal wear sketch. i did that to tie in with the veins/flecks of gold (technically pyrite) in irl lapis lazuli. as such, people at del palace were inspired to weave gold into their hair too.

also gives me another thing to ship badr and luisa lmao. badr can wear some gold and luisa can wear some blue as a treat for me <3 moon and stars ocs beloved

🟨 DEL

alright. okay so del is definitely very white western patriarchal coded (most just a bias of living in that type of society i reckon) but it sucks and i'm passionate about making del NOT that. i think i've said this a million times now but this should be it's own post too, but most succinctly del is a very vibrant, curious, and daring sort of culture (e.g. their recklessness, exploration, trading). they were already marrying non-deltorans before adin (i imagine that some might have dared to marry outside of del, but it would have been way more politically complex so it was rarer and often kept quiet and rural). people of del were moving to other countries (like dorne) and people were probably moving to del, so del is definitely a big mix of different people and languages and superstitions and stuff.

but anyway i wanted to set a sort of base for before that. i've had art on the wip pile for YEARS about this and i'd flesh this out properly when it's done lol (hopefully we see that day) but since the topaz has the power to summon spirits, i really wanted to develop an aspect of del culture around that? i was inspired by Día De Los Muertos (Day of the Dead) and i still want to do some more in depth research and explore it more properly, but i like the idea that del will celebrate their lost loved ones life, coming together to remember, if they were lucky the got to see and even talk to their spirits. maybe pre-talisman they did know about topaz properties and they had a big deposit of gems that they would wheel out for the festival and the huge pile under the full moon would be enough to allow the spirits and people to interact? anyway this is a longwinded explanation of why my sketches of del fashion could be latinx inspired.

circle motifs in homage to the moon. the trim decoration on luisa's scabbards are based on moon phases :D

i also arbitrarily decided that del people love swishy clothes. they're all about the drama of cloaks and twirling in sundresses etc it's fun. not sure if i will actually follow through with that lol or maybe that can just be luisa.

🥳 fun fact 🥳 i think hearing luisa laugh would heal me

there's no particular reason for why i've been drawing a lot of del people as black, other than maybe spite lol. i think i drew jasmine and that got the ball rolling. del is a blank enough slate that they can be anything. im tired of white people being the front runners asldkjfhalsdf. bUT again del is multicultural, so there isn't a particular look for anyone in del. being del is more a state of mind and being part of community i think. you move to del and you participate in their society in one way or another and boom youre del now they adopted you.

🌈 PLAINS

hiran attire inspired by french aristocratic fashion. i cant remember who posted about it but pretty sure this was something that circulated around the fandom at least a little bit at some point.

added some subtle rainbow to harlow's outfits because he's the strong silent type. but i suppose there are so much more gaudier and extravagant outfits.

i was going to say this was just hira fashion and not like, rural plains fashion but i guess this is the same for all of them. it's just like a general direction for what someone might wear.

the swirly patterns?? i dont know. i drew them when i did adin's pre-battle speech as the last supper but i dont think there's a particular reason. i remember that i was trying to do something unique because lief recognises the cup in the city of rats as the same/similar to the one in noradz, so there had to be something to be recognisable lol but i probably just did it this way because it's relatively easy to doodle, just takes a bit of time.

🥳 fun fact 🥳 harlow was a cook before the shadow invasion. out of desperation, he and many others had to train to defend hira. he's big with natural balance and reflexes so he excelled and is a pretty adept warrior, but he will always think of himself as a cook first, warrior second.

now the armour!! freshest headcanon piping hot. yesterday when i was colouring i was sitting there like wow you look like a tin can man and you are so boring. we went from pretty colours to blank. im almost certain the hiran soldiers were described as silver with white plumes, so i was planning on doing that but they had intricate details on their armour because they are Extra, so it has the swirly patterns you can see on harlow's coat.

but then suddenly i was like. what if. pearlescent.

and honestly i loved it so much i didnt care i was setting myself up for some difficult work ahead lmao. but my general idea was that they're armour looked like it was silver, but if the light catches it at the right angle it exposes the rainbow in it. most of these headcanons i've had baking for at least a year, but this is very new so i dont any hard details yet. kira mentioned enamel or ceramic and lowkey interested in having a look into that so that theres another armour material. maybe it's gonna be like special jalis gold and special plains silver. maybe something else. i also just remembered bismuth exists (same boat as gold as very heavy and soft) but i think maybe it's too loud, i think im liking the more subtle pearlescent thing aLTHOUGH it's a good metallic rainbow reference 👀 maybe there is an esteemed plains warrior with a rainbow sword

ANYWAY pearlescent armour really hit my heart because oh my god once upon a time the plains had a shore and they could visit the sea,,,, lowkey ocean vibes without an ocean [screaming crying cat spinning in a void.gif]

🥳 fun fact 🥳 i have NO idea what food harlow has made. i think i had ratatouille on the brain at the time????

🟥 RALADS

⚠ PROPAGANDA ALERT ⚠

ruby territory best territory. ruby symbol of happiness. warns of danger AND antidote to poison. double helpful. ralads are so sweet and so smart. architectural and engineering marvels. living in harmony with the land and beasts. D'OR!!! manus and nanion friendship underrated and so special to me. horse girls. AND. broome. god theres so much i could say about broome that i cant say anything. anyway you guys know im normal about broome yes of course. separate post etc etc

i think technically this is a headcanon but it's not that big a stretch surely but as above i always picture ralads as in harmony with nature. never take more than they need, know how to work with not against, theyre not the main attraction but an equal part of the bigger picture.. this isn't even about how smart they are with engineering and their perfectly round houses with bricks that are cut perfectly. im thinking about their knowledge of their world is so strong and wide and diverse. they have the most vibrant and potent dyes and pigments around, they have the most colourful fabrics and clothes around. the plains has many colours but it can't compete, and they have different styles. i think that the hirans would trade for the dyes though (maybe undercutting pre-adin, maybe more equal post-unification). i think that they would also have a pretty decent blue dye but it is still inferior to mere lapis lazuli blue. it is probably a dye that could be used for a mid range mere garment?

maybe it's the anime fault but i do usually imagine ralads as barefoot but i also drew iris with construction tools and just the idea of ralads walking around a construction site barefoot was not fun to me. but it could be a hobbit tough soles situation. anyway i drew some shoes so i had a vague reference if i wanted to draw ralad shoes.

obviously had a problem drawing warrior attire for a non-war race. but i thought what if i leaned into the stories the hirans tell about how the scouts and soldiers they send into the ralad wilds never returned and were often found dead with broken bones or whatnot. definitely big watching but never seen vibes imo. so i decked iris out in some camouflage lol

🥳 fun fact 🥳 im sure the ralads can whistle and whatnot to make birdcall signals, but i thought it was fun for iris to be able to make birdcalls with her flute

HEY ALSO headcanon about ralad hair. i was making some dragon art from a doran pov that i was going to save for that but i cant wait now. but we know from Tales that the ralads had a good relationship with the ruby dragons, could even summon them (unless im misremembering and it was more like a premeditated calling) but i was thinking about how they nest with .. human? hair. and i was thinking what if they grow out their hair? and then they offer it to a dragon when they are ready? i dont know if there's a nesting season for dragons but it could be something like that? ralad-dragon ceremony and party time. this isn't a rite of passage type of thing, just something that they like to do. not everyone does it probably, but most do it once, some people do it several or many times in their lifetime. it's an honour, but not really a sacrifice to them. it's part of the world balance and theyre willing to serve the dragons as the dragons serve them as they water the plants and the plants feed them and they feed beasts and beasts feed them.

also dont remember why i did the hair so bright and orangey??? genuinely perplexed lmao. probably was leaning into irl ginger but like THEYRE BLUE so i could probably make them actual red. not sure if this is also like a "theres something in the ground" situation also that makes their hair red but maybe 😂😂

side note but it's lowkey so wild to me that rodda was like yeah these guys are blue-grey with red hair, and then everyone else is like an average person, BUT the mountain people are short. like they're all just some guy basically???

it does make return to del so so funny because fallow is like AYO look at these MONSTERS they are UGLY and WEIRD

but i guess thats part of the motivation to give the deltora tribes some basic unique traits.

🟪 TORANS

okay so toran robes as inspired by japanese fashion is definitely something that's floated around the fandom for ages. i can't remember if it was before or after seeing posts about it that i started my first concept sketches but i think it probably had a hand in helping me visualise what rodda was talking about when she described their robes as butterfly wings when they speed-travelled. like yeah big deep sleeves and floor trailing hems WOULD probably look like colourful butterfly wings in the wind,,

🥳 fun fact 🥳 azami be always hungry. if only she knew someone who liked to cook 🤔

i don't have much to say design-wise, kinda just did various doodling. they would probably be second in extravagance to the plains, but it's a different sort of detail? they are probably a bit more refined and elegant than the hirans who are probably more bold in their designs. torans grow to be vain and selfish (it's already started by adin's time) so they probably have a high value on the beauty of their belongings, and it probably began with imagery of beasts and plants and dragons in amethyst territory, "true" pictures. but as time went on it probably distorted a bit and became idealised and/or fantastical etc.

OKAY SO my brain bluescreened just now for a moment trying to figure out how a people who use magic to make life easier, were also the ones known for their weaving, a manual hands-on task (lief's cloak is praised as being worthy of toran looms, implying high grade; pretty sure this was supposed to be a hint that his mother is not who he thinks she is also). some conclusions are 1) they weave with magic (sad, horrible), 2) they weave as a past-time, for fun etc (okay) but i took it to a third option

for a long time ive been thinking about toran magic as like, a balance and an energy thing (because i like that stuff lol) they cannot create something from nothing, only change things. they couldnt summon a fire, but they could change a piece of wood to fire and start a campfire, or those more advanced could even change the air into fire. but honestly it's left me a bit unsatisfied. like how does that explain the tora-del highway? hELL tora itself? what happened to the marble that got carved away? also how can that mountain have been so perfect there was no cracks or seams?? or did they carve those bits out lol. questions for another day.

anyway i was thinking about how hobbies are good for you, you dont have to be good at something but it's good to do stuff for fun and when you do crafts you get a cool thing at the end of it that you made. but it's also like skills you can develop? and i wondered what if weaving is a starter skill that they learn, some of them at least. maybe there are different activities, and they do the one that speaks to them the most. there were other types of artisans in tora, just not as talked about (i guess they're robes are pretty iconic so it's easy for people to go wow robes wow weavers who made fabric for the robes so soft) like i distinctly remember barda remarking about how tora was untouched and why bandits wouldn't have stolen the carved box that ended up holding the auto-reply letters from the palace.

so what im thinking is that maybe this builds a foundation to help torans visualise and perform their magic?

it actually solves a problem ive had in my headcanons i feel like ive got seven eyes open rn 😂😂 but in relation to del culture and traditions, i've been thinking about there being a physical and spiritual realm of course, and maybe it's the comfort of threes but it felt like something was missing.

i dont know what to call it yet, but im thinking the third thing is like the glue, it connects all things, it's in everything. it's like a third realm but also more of like a medium maybe? kind of sappy but we can just call this the magical realm for now. i actually used to think of toran magic as being like a subset of the greater deltora magic, but now im thinking it's more like torans are more receptive to the magic realm, as del are to the spiritual, and the ralads to the physical; theyre the experts in these things, which is why unified deltora is important 😂; likewise dread gnomes specialise in gems, jalis in combat, mere in cunning, plains in hope perhaps? literally never thought about it quite like this so maybe i will process it different later and designate different specialties.

so when the torans are young, they learn a craft and these skills help them sort of "tap into" the magical realm. so in the case i first thought of, when a toran weaver starts to see and interact with the magical realm, the easiest way for them to engage with it would be to think of it as weaving. they might see the magical realm as threads that connect everything, and weave things together to get what they want. a potter might see it as a malleable mass and sculpt what they want. a carpenter might see it as something to carve, something to break and put together.

the magical realm is not a concrete thing at all, up to interpretation, perhaps a unique experience to anyone who could glimpse in; don't strictly have to be toran, but they are perhaps naturally receptive to it or it could even be entirely a knowledge thing and that they are taught about it more; someone like verity who had her eyes opened to this realm, and learned to interact with it on instinct. does open questions to what the hell is up with the plains lmao but i think thats another post.

__

sorry about all the "i'll tell you in another post" i was attempting to stay on track 😂😂 also there's a 90% chance im gonna forget to come back and write about them so if anyone is dying to know feel free to send me an ask or something???

also if you want to know more about these OCs let me know 👀 i can find an ask game or something maybe. it's a case of i know a lot but will forget it all if asked to speak freely, i need specific questions. i have also developed the first four a bit more, but the last three are not without character so they can still be included. maybe it will be a group effort and they will have Background.

[unironicallycringe]

storm's clearin'

[bonefall]

Hello! I absolutely adore Better Bones despite never reading beyond the first series of Warrior Cats. Last time I checked canon, Bramblestar was a kit that nearly died in a fire. So your canon is canon to me and it’s probably better that way.

I do have a question though. How big do your cats think the world is? The meaningful size of their world is from the Lake to the Forest to the Ocean, but I keep thinking of how medieval peasants sometimes had their whole lives uprooted for a crusade thousands of miles away, and wondering what Clan Cats think the real edges are. Do they see Ireland and France as mythical, far off lands filled with fairytale creatures? Do they know that anything exists beyond the oceans at all? The other side of possibility is that kittypets have given them some concept of human geography, and the cats can tell stories about a land further south than a cat could walk in a lifetime, where the stars are unrecognizable and the very moon is upside down.

Have fun with your worldbuilding!

Clan cats believe that the sky, earth, ground, and aquifers below are actually one big mobius strip, and that existence repeats from top-to-bottom. Water that soaks to the bottom ends up in the sky just as steam rises up to it.

Moles dig down so far that their pelts become gently touched by StarClan, and that's why they're so soft without shine.

The world in a horizontal sense is less important, they don't talk to kittypets very much, not enough for cultural diffusion to take place in regards to human geography. They are blissfully unaware of London, let alone anything beyond the coast of Albion.

The closest anyone's really come to learning more was Heartstar, when she was on her Dovewing Quest, seeing trains and a singing cat. She decided that this was not anything she needed to know about.

SO when they see something like the sea, they believe it's a really big lake. Airplanes are probably birds flying far away. Clan cats believe that StarClan is the greatest force in the world, so surely, wherever they choose for the cats to live must be the most beautiful of all. They're a pretty self-absorbed bunch, but more than that, culturally discourage "wandering" cats!

Depending on where they are exactly (this is why Albion isn't exactly the isle of Great Britain and it's been renamed, I'm shuffling some geography) they may also be able to see part of Wales, Ireland, or the Isle of Man from where they usually collect salt. Which just leads to them believing the ocean is just a big, salty lake, given time.

[serpentface]

FAMILY TITLES AMONG THE HILL TRIBES

(ft. various linguistic notes and tangents)

In-universe Brakul’s self-given title of ‘Red-Dog’ is Brakul 'ne-Dainh' in his native language (Bict-Urbinnas dialect of the Highland language group) and Brakul 'Chin-Reyla' in Wardi. Ne-Dainh/Chin-Reyla is not something he treats as or considers an actual surname or identity, just a self-styled nickname. He already has a title.

Family names/surnames are not a native practice among the Hill Tribes (though some clans or individual families have adopted this practice), and all traditionally use titles that designate immediate ancestry, clan and tribe. These full titles are officially given when one comes of age and are spoken aloud in ceremony (with the entire direct male and female lines listed by name, with most traditions expecting 12 generations of each being named).

The function is to cement one’s sense of place in the world, and their place in a direct ancestral line, which puts the person under the full watch and guidance of their ancestors. It's also a critical method of recording lineage- the long held practice of each person memorizing at least 24 total direct ancestors allows for very long, largely accurate records of family history to be kept, with some people able to trace their ancestry all the way back to initial settlement of the Highlands (or even beyond).

Brakul’s full title is:

“Brakul virsum Kuligan et Borunil an Briyonis ne-Taig an Bict-Urbinnas”

Which dead literally translates to “Brakul son of Kuligan and Borunil of the Foothills (of) Red-Cattle, of the North (Urbin/Erubin) River Valley” but has a much richer meaning in the original language.

"BRAKUL VIRSUM KULIGAN ET BORUNIL"

The actual meaning here is closer to ‘Brakul, son of Kuligan and his father’s fathers, and Borunil and her mother’s mothers’.

“Virsum” means ‘child (son/daughter) of’ (the gender is contextual), but implies the person’s status as a descendant of a full male and female line of ancestors. A different word is used if you’re just saying ‘I’m so and so’s son”. The title describes him as a son of his father Kuligan and of Kuligan’s male line, and of his mother Borunil and Borunil's female line.

All ancestors (within this particular system of kinship, divided into one direct male line from the father and one direct female line from the mother, and not including husbands from the female line or wives from the male line) are invoked and credited with the word ‘virsum’. Speaking it as part of the personal title is part of the routine and necessary honoring of one’s ancestors, who watch over their descendants from the afterlife and can temporarily return to the land to guide and protect (and sometimes punish, or teach sharp lessons to) the living.

"AN BRIYONIS NE-TAIG"

The actual meaning here would be understood as ‘clan/people of the foothills where cattle are lit red by the setting sun'.

‘Briyonis’ is the word for ‘foothill’, citing his clan’s specific location being the foothills that form the slopes of the north Urbin river valley. He is of a lesser clan within the powerful North Urbin River tribe. His clan benefits from close affiliation to their more powerful ruling clans located directly in the river valley, which grants them access to a greater variety of cultivated foods, but their actual position in the foothills still renders them predominantly reliant on cattle for subsistence. Clan names referencing cattle or horses are very common, given their frequent centrality to life.

The ‘ne-Taig’ literally means ‘red cattle’, but the ‘ne’ color word for red specifically invokes shades of red seen in and cast by a rising/setting sun. This red cast is culturally regarded as a unique beauty and evocative (and part of the name) of the solar god Hraighne. The foothills his clan is physically located on are a vantage point from which the western horizon is not fully obscured by mountains, and they experience very striking sunsets and are directly touched by the light. This is fairly unique to this location, and is invoked in the clan name and identity. ‘Ne-Taig’ here suggests a visual of grazing cattle illuminated red by the sun as it crosses the horizon.

‘Ne-Dainh’ carries the same implication, a dog illuminated red by setting sunlight. The Wardi language does not have a comparable word for a sunlit red and ‘Chin-Reyla’ really does just mean ‘(orangeish) red dog’ (‘reyla’ is specific to orangey-red colors, which is the closest match he could get. There’s no way to impart the meaning of ‘sunlit-red dog’ in Wardi that is non-clunky enough to be appropriate for a name).

"AN BICT-URBINNAS"

‘an Bict-Urbinnas’ is fairly simple, Bict means ‘north’, and 'Urbin' is the name of the specific river that stems from a northern and eastern tributary. This river has a very ancient name (or a derivative of one) that predates settlement by the Hill Tribes, and its exact meaning is lost.

The root -(n)nas designates a river valley, but has strong implications of being an esteemed and bountiful place, rather than solely a literal geographical descriptor (as the river valleys are centers of power and trade in the highlands). It may be a loanword from the Wardi language family, as its usage is VERY similar in form and function to the Wardi -(n)nos, which also suggests a place of esteem and bounty (more specifically having connotations of a kingdom).

’An’ literally means ‘of’, but in the specific sense of describing the place and identity of a collection of people. ‘an Bict Urbinnas’ would be understood in speech as ‘of the north Urbin River Valley (people)’. The clans historically settled in and around the valley of the North Urbin River form the totality of the Bict-Urbinnas tribe.

The ‘Urbin’ word predates the contemporary Wardi name ‘Erubin’ for the river, the latter of which invokes the semi-mythological founding figure Erub, who himself was of a Wardi tribe located downriver to the south of the Highlands. The real historically extant ‘Erub’ was most likely named Urub after the river, with his cited name shifting over the centuries in folklore, and the Wardi name for the river shifting with it.

‘Erubin’ as a corruption of ‘Urbin’ functions very well in Wardi language due to ‘-bi/bin’ denoting something as a ‘gift’, usually in a more metaphorical sense. ‘Erubin’ is understood as meaning ‘(The river that is) Erub’s gift’, and the Erubin/Urbin river is a key tributary to the much larger Black river, one of the key rivers that feeds the region's wetter and more fertile west. This 'gift' meaning also occurs in the name of the southeastern Imperial Wardi city-state Erubinnos, which is understood as meaning ’((The kingdom that is) Erub’s gift’. He is considered to have conquered and taken the land (from the core city's actual founders, the Wogan people) and established a kingdom there in the early days of warring Wardi tribal monarchies.

[gentlyrowan]

welcome to

THE EMBRACE

The heart and most secure enclave of the Nora tribe is All-Mother Mountain and the surrounding valley, known as All-Mother's Embrace. It's located southwest of Devil's Thirst, which we know from a Vantage Point to be Colorado Springs. I don't know whether any official sources confirm it, but I am strongly of the opinion (and the Horizon Wiki agrees) that All-Mother Mountain is

CHEYENNE MOUNTAIN S.P.

The mountain and park are named for the indigenous people group forcibly removed from Colorado's Front Range in the 1860s.

A hundred years later, as a part of Cold War defense efforts, NORAD constructed a hardened facility inside the mountain – specially designed to be resistant to earthquakes, EMP, and nuclear explosions – for use as its command and control center. More recently, the Cheyenne Mountain Complex has additionally become a United States Space Force installation.

Fans of Stargate SG-1 will recognize the iconic entrance to the facility in which the show set the secret location of Stargate Command.

The Cheyenne people's history stretches from the Great Lakes to the Great Plains, with a large and influential role amongst the tribes of North America. Today, they make up two nations: the Northern Cheyenne in Montana and the Southern Cheyenne in Oklahoma.

The Cheyenne language is in the Algonquian language group, but the name Cheyenne derives from a Dakota Sioux exonym (a name given to a people, place, or language from outside that culture).

Learn more about the Cheyenne people here:

The complex is not open to the general public, but you can visit Cheyenne Mountain State Park if you're feeling nostalgic for the beautiful landscape of the earliest sequences of Horizon Zero Dawn.

Bonus "Personal Touch" Tour Guide Anecdote

My favorite thing about this location is how quickly my mom (not a gamer, but a Stargate fan and a word nerd) put it together when I told her this post-post-apocalyptic people group made their home atop a bunker in a mountain and were called the NORA.

1968 Public Domain Photo

[keifyseadragon]

A sunrise years back in Colorado. I miss the mountains.

[yoga-onion]

Legends and myths about trees

Forest spirits and natives (2)

Patupaiarehe – Night spirits of the Maori people of New Zealand. Dwell in the darkness deep in the forest.

Patupaiarehe are legendary humanoid cryptids native to New Zealand that hide in forests and are said to have the power to induce a trance and to lure people away. They are supernatural beings (he iwi atua) in Māori mythology that are described as pale to fair skinned with blonde hair or red hair, usually having the same stature as ordinary people, and never tattooed.

They can draw mist to themselves, but tend to be nocturnal or active on misty or foggy days as direct sunlight can be fatal to them. They prefer raw food and have an aversion to steam and fire.

The music of their kōauau and pūtōrino (small flutes), along with their singing of waiata, which songs are sung solo, in unison, or at the octave, occasionally reveals their presence on foggy days. A kōauau is a small flute, ductless and notchless, four to eight inches (ten to twenty centimetres) long, open at both ends and having from three to six fingerholes placed along the pipe.

They could lure people away from safety with the music of their flutes, and had magical powers and special knowledge. Some believe that red-haired Māori are their descendants. Patupaiarehe sometimes taught people magical chants and other skills. They were good at fishing, and one chief spied on them to learn how to make nets.

Patupaiarehe were seldom seen. They were thought to live in several places in the North Island, including in the Waikato, around Rotorua and in the Urewera mountains. They also lived in some places in the South Island.

kōauau sound demonstrations

木にまつわる伝説・神話

森の精霊たちと原住民 (2)

パトゥパイアレヘ 〜 森の奥の暗闇に棲んでいるニュージーランドのマオリ族に伝わる夜の精霊

パトゥパイアレヘは、ニュージーランドに生息する人型の生物で、森に潜み、トランス状態を引き起こし、人を誘い出す力があると言われている。彼らは、マオリ神話に登場する超自然的な存在 (ﾍ･ｲｳｨ･ｱﾄｩｱ) で、青白い美肌、金髪または赤毛、通常普通の人と同じ背丈で、タトゥーをしていることは無いとされる。

霧を引き寄せることができるが、直射日光が当たると命に関わるため、夜行性で、霧や霧のかかった日に活動する傾向がある。生ものを好み、蒸気や火を嫌う。

コワウアウとプートゥリーノ (小笛) の音楽と、ソロ、ユニゾン、オクターブで歌われるワイアタの歌は、霧の日に時々彼らの存在を明らかにすることができる。コアウアウは、長さ4～8インチ（10～20センチ）、両端が開き、パイプに沿って3～6個の指穴がある、ダクトもノッチもない小さな笛である。

彼らは笛の音で人々を安全な場所に誘い出し、不思議な力と特別な知識を持っていた。赤毛のマオリ族はその末裔であるという説もある。パトゥパイアレヘは時々、魔法の呪文やその他の技術を人々に教えた。彼らは漁が得意で、ある酋長は網の作り方を学ぶために彼らを見張った。

パトゥパイアレヘはめったに目撃されることはなかった。ワイカトを含む、北島、ロトルア周辺、ウレウェラ山脈など、いくつかの場所に生息していたと考えられている。また、南島のいくつかの場所にも住んでいたようだ。

コアウアウ・サウンド・デモンストレーション

[aphel1on]

really all i should need to do to get professionally dx'd with autism is show them my warrior cats conlang from senior year of high school

[theanoninyourinbox]

A Geist may form from the negative emotions of a group cats, such as grief of losing a home, betrayal by those in power, or the mourning of lost family...